Tag Archives: electro-funk

When The City

When The City

When The City by Junie Morrison
When The City on iTunes

The septenary chapter in the “Junie” series delivers a crushing blow to the world of electro-funk,  with biting horns and funky technoid synths over growling bass lines.

1.   When The City
2.   Booty 4-2
3.    Friends
4.    Now And Evermore
5.    L.A. Stories
6.    Robot Love
7.    I’m Lying
8.    Discreet
9.    That Dress
10.  When The City (ride mix)
11.  Cloud Sorcerer’s Lament

Released 2004
Written, Produced and Performed by W. Morrison
Publisher: Juni Morrison Songs/BMI
Label: JunieFunk Recordings
Cover Concept Design: Annyash
Cover Art: Overton Loyd

© 2004 JunieFunk Recordings

The Harder We Fight (The Sweeter The Love) Junie Morrison Remix – Susanne Alt

susanne alt

From Saxify by Susanne Alt
The Harder We Fight (The Sweeter The Love)
Junie Morrison Remix

In the late summer of 2015, P-Funk sister and extremely talented saxophonist, Susanne Alt approached my studio with a request to produce a remix on one of the tracks from her new studio project, Saxify.

Both Susanne and I were in agreement that the track, The Harder We Fight (The Sweeter The Love) featuring vocals by Mavis Acquah was a good candidate for a club style remix and here is the result, released today.  Check it out on Venus Tunes!

– JM

From Saxify by Susanne Alt
The Harder We Fight (The Sweeter The Love)
Junie Morrison Remix

More on Susanne Alt at: www.susannealt.com
Get the Music:  Venus Tunes
@susannealt

mavis-acquahFeatured Vocalist Mavis Acquah
The Harder We Fight (The Sweeter The Love) Junie Morrison Remix
from 
Saxify by Susanne Alt

More on Mavis Acquah at: www.mavisacquah.com
@mavisacquah

@JunieMorrison
J
unie Morrison Facebook Page

Leave a Comment because what you think matters.

Seeds by BoyInSea


Seeds by BoyInSea
Created, Produced and Performed
by Junie Morrison
from Copying Atlantis

Released 02 May 2014
© 2010 JunieFunk Recordings/MicroNagual

BOYINSEA LEGENDS
SEEDING AFRADON
by Annyash B. Arrife

The seeds were a thought; the music of the universe encapsulated, and transformed into biological form. Melosos would release the seeds, bestowed upon him by his Mother, created by the Manifest peoples of his home world, Kua’reem, to breath life into this barren planet.

I think I might stay a while, he thought. This being the seventh planet that I have seeded on this distant corner of our galaxy. It was once called Afradon and so it shall be named once more.  And, I shall build upon the highest mountain a city, which will ring with laughter, prosperity and music, and all forms of creativity will be explored. My city will be a shining example to all the worlds that will grow from it, spreading along this string of pearls known as the solar system of Celestion.

With that, he reached into the zero space cavity in his chest and brought forth the seeds from between his hearts. His clawed hand open and the light of the seeds was released. They sang and shone and mixed with the turbulent winds and spun toward the heavens…

Excerpt from
BoyInSea Legends: Seeding Afradon
by Annyash B. Arriffe

Buy Seeds by BoyInSea on Bandcamp
Visit the BoyInsea website at: http://www.boyinsea.com
Leave a comment because what you think matters.

 

When The City

When The City

When The City by Junie Morrison
When The City on iTunes

The septenary chapter in the “Junie” series delivers a crushing blow to the world of electro-funk,  with biting horns and funky technoid synths over growling bass lines.

1.   When The City
2.   Booty 4-2
3.    Friends
4.    Now And Evermore
5.    L.A. Stories
6.    Robot Love
7.    I’m Lying
8.    Discreet
9.    That Dress
10.  When The City (ride mix)
11.  Cloud Sorcerer’s Lament

Released 2004
Written, Produced and Performed by W. Morrison
Publisher: Juni Morrison Songs/BMI
Label: JunieFunk Recordings
Cover Concept Design: Annyash
Cover Art: Overton Loyd

© 2004 JunieFunk Recordings

Good For You by Tekadelic, Funk and The Rule of The Technomage

Tekadelic - GoodForU
Tekadelic – Good For U (2014)

 Good For U by Tekadelic
Created, Produced and Performed by Junie Morrison

I like all kinds of music. Mm-hmm, my taste is pretty wide, mostly thanks my uncle (I’ll call him “Uncle Bob” for now). Y’all know that one uncle you had as a kid, the one who had that huge collection of vinyl records that he played on a record player you weren’t allowed to touch. That thing was his pride and joy, it played 7 inches and 10 inches, 12 inches and albums. Uncle Bob had a special duster for his vinyl. Just cleaning and fussing. All this stuff about the turntable and stylus. Needle quality by grade? I tell you, I had no idea of what he was talking about, or why it mattered so much.

I realized later that he was what some people call an audiophile. Yeah, I know that might sound weird, but it just means he was enthusiastic about his records and the type of equipment he played them on. Loved ‘em. Plus, he was really knowledgeable about the artists we were listening to.

All kinds of music got played at Uncle Bob’s house, jazz, reggae, funk and soul music were his favorites, but he might throw on a little ol’ fashioned rock and roll every now and then. Depending on the day, and, of course how much he’d had to drink, his tastes would vary from Ella Fitzgerald or Duke Ellington big band stuff, through Fats Waller, Billie Holliday, Dorothy Dandridge, Jimmy Cliff, Coltrane, Miles, Nina Simone, Lena Horne, Aretha, a smidge of early Motown, seasoned with some Chuck Berry or Tina Turner. I think if he’d had the chance to learn an instrument, he would’ve played in a band, probably as a drummer.

My generation though, yeah, most of my friends kept to one type of music, staying in their safe zone, already set in stone at a young age. But I learned from my uncle that it’s okay to like whatever you like, and to not let yourself get locked in a box that limits you or your taste. I liked a lot of popular music, underground stuff, venturing into techno, house, garage, grime and so on.

Raves were not really my thing, but I liked the music.
Technological. Electronic. It called to me.

I find the electronic music that Junie Morrison makes fun and interesting because it comes from some other place on the sensibility scale. More so than anything that you might get from the currently popular EDMers out there. Not to take anything away from DJs dropping mixes, or button pushers and splicers, better known as beat makers, cos those guys get some biiigazz crowds, but to me, the Junie vibe’s kinda more about combining technology and musicality than about cake-in-your-face hype.

Junie Morrison is a musician, a producer, arranger, writer, and technologist. Truly, he’s a technomage for our time. He sets his own rules. Creates his own tonal reality. He understands harmonics. For Junie, technology is simply a tool, another instrument to be mastered and bent to his will. He did this with his creation of the Funky Worm sound, using the Arp Soloist, and then with other tracks like Techno-Fréqs, etc., which had a technological feel, but were actually created, and got that real Detroit techno buzz, way before anyone had even heard of the 808.

Good For U by Tekadelic
Created, Produced and Performed by Junie Morrison
Written by Junie Morrison and  B. Sheriff
Cover Artwork by Anna B. Sheriff – Ki Shomen Project
Released January, 2014

Take Good For U by Tekadelic, for instance. I understand that this track was entirely composed on an iPad. Oh, hell yeah! But, d’you know how hard that is? I can’t stress enough just how hard it is to make something that good on an iPad! But Junie doesn’t care. He kicks total ass with gutsy keyboard synths on the leads and he’s pushing out some butt-shakin’ bass lines and drums with a cheeky funk beat and that oh so distinctive hand clap. To make it even better, man, he’s giving it up to the techno-funk gods with his throaty vocals and those live guitars riffin’ and shredding my speakers, and it’s like he does all this without breaking a sweat.

Now, see, this is the kinda thing makes Junie my favorite artist. His productions spell freedom, feeling and fun. So, y’all need to stop playin’ and get this track. Oh, and please, somebody give this man his doctorate, he’s more than earned it.

Peace.

For Junie Blogtropolis
by Anna B. Sheriff

Buy Good For U on Bandcamp
Leave a comment because what you think matters.

MicroNagual – Space Wars On The Dance Floor

MICRONAGUAL

Space Wars On The Dance Floor
by MicroNagual (JunieFunk Recordings)
Wes Boatman and Junie Morrison

Sneak preview of the new single “Space Wars On The Dance Floor” from the album, “Vibrate You” by MicroNagual. Written by Wes Boatman and Junie Morrison. Produced by Junie Morrison.

This track is hungry, lean techno-funk, with the purpose of returning to the bare boney roots of electronic dance music.

Buy Space Wars On The Dance Floor on Bandcamp

– Anna B. Sheriff

Junie Morrison – Stick It In (Redux)


Stick It In (Redux)
by Junie Morrison
Stick It In (Redux) on Bandcamp

Released 12 July 2015
Written, Produced and Performed by W. Morrison
Publisher: Juni Morrison Songs/BMI
Label: JunieFunk Recordings
Cover Design: Anna B. Sheriff – Ki Shomen Project

@1984 – 2015 JunieFunk Recordings

Vibrate You by MicroNagual feat. Junie Morrison

KNOW YOUR CHAKRAS

Vibrate You by MicroNagual is an expression of AfroFuturistic Electronic Funk for the new millennium. It comes straight from the mind of vibrophysicist, progressive, future funk evolutionist, and über producer, Junie Morrison.

Vibrate YouThis single, which is the precursor to an upcoming album, is a sizzling, tribal, electro-funk groove that challenges the bounds of EDM. The precision-cut synth low end breaks you wide open with subtle tones that dig deep into the psyche while the bone-tingling vibrations running throughout the track turn up the pressure as wave after wave comes crashing down on you, pulsating and churning, reducing you to the tiniest molecule and then building you back up again.

Vibrate You touches your human self, it resonates with you, stays with you shifting with your moods. The track is relentless and positive. Remaining true to itself and to the listener, it never has to apologize for being what it is; the ultimate, progressive, electronic funk, ever moving forward and upward.

 – Anna B. Sheriff