Category Archives: Music

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iPadian Funk is a Reality


Tekadelic - GoodForU

iPadian Funk is a reality.
Good For U by Tekadelic

Written and Produced by Junie Morrison
© 2013 JunieFunk Recordings/MicroNagual
Cover Design by Anna B. Sheriff – Ki Shomen Project

Tekadelic is an experimental TechnoFunk concept created and produced by Rock and Roll Hall of Fame inductee, Junie Morrison.

“I believe that it’s impossible to “out-bass” the bass that’s in your mind, so I just like Funkin’ with it!”
– Junie Morrison

 In this world of wired/wireless communications, we are living the greatest contradiction ever.  We crave the organic, the natural, while simultaneously yearning for the promise of self-fulfillment offered by the bits and bytes that we have become so attached to.

Case in point, the debut single from Tekadelic entitled, Good For U, created and produced by Junie Morrison faces this contradiction head-on with a blend of growling vocals and fuzz guitars overlaid onto a luscious platter of electronic dance beats and energetic synths that jump out at you, all this, plus the classic and very famous, Funk clap.

Good For U is an audacious track that switches a light on in your head to make you groove from beginning to end.

– Anna B. Sheriff

Oh No! Not Guitar Center Too!!!

guitar centerIt looks as though Bain Capital i.e. Romney and Co. are about to lose control of one of the nation’s stalwart musical instruments retailers, Guitar Center.

For instrumental musicians, both professional and otherwise, this news may be of greater importance than the recent news surrounding Avid ( ProTools ) made public a few days ago.

Guitar Center seemed to begin having difficulties soon after they were acquired by Bain Capital in 2007.  Since then, in my opinion, digital audio solutions like Avid’s ProTools and others, have seen much more of an upswing.

Just to hit you with a few numbers, GC has reportedly amassed over $1.6 billion in debt.  The Wall Street Journal suggests that most of this debt stems from the $2.1 billion leveraged buyout orchestrated by Bain in 2007.

What does all this mean for music instrument manufacturers?  One source suggests that guitar makers may be greatly impacted.  GC keeps so much inventory on hand that the company’s financial problems may be forced onto instrument makers themselves.  This may also mean higher prices for that trusty Fender Strat you’ve been eyeballing.


Pro Tools Parent Company Avid Delisted From NASDAQ


Many people can consider themselves “avid listeners” when it comes to music but the company that many in the business consider to be the “go-to product” for music production, may be hitting sour note.

Avid, the company that the majority of musicians know for their very fine product “Pro-Tools” has been de-listed from NASDAQ.  This news is not good for producers and musicians who use this longstanding product.

The financial site known as The Street was said to have reported recently, that Avid received a letter from NASDAQ, delisting them from the stock exchange.

Most insiders consider that the company, which also owns the music notation program, Sibelius, as well as other Avid hardware and software products, believe that this delisting is perhaps “not entirely about the company’s products alone.”

This is comes as quite a shock to most in the industry as the company sports a long list of Grammy award winners and technical awards, as well.

I expect that in the next few weeks, we will hear from many loyal Pro Tools users, about this most crucial news.


The New Vinyl Revolution

Record Pressing MachineInterestingly enough, statistics show that vinyl record sales have been growing over the last several years.  We would think that this resurgence is good news for our record collections and for the record pressing industry, as well.  One could also see that this would go hand in hand with a record manufacturing resurgence but it seems that instead of showing growth, the record manufacturing industry continues to shrink.

Statistics also indicate that there may be a shortage of pressing plants currently in operation with no new development in companies that previously manufactured the tools and parts needed to service and repair the equipment used for pressing records.

As a result, most investigations into this situation show that many of the remaining plants are being cannibalized by newer entrants and even more established players in the manufacturing business, in order to obtain bits and pieces of gear needed to repair parts of their own decaying systems.

Another study suggests that there may only be around 12 or 13 pressing facilities left in the US, with another handful spread across the rest of the world.

Having said that, and looking from the standpoint of artists wishing to have their music pressed to the vinyl medium, this production process may ultimately cost more than the amount that can be charged for each record.  An interesting phenomenon, to say the least.

Considering this, my question is, do you think that this industry should have another chance at being an important part of our musical growth and awareness?

– JM

The Shift Out Of Neutral

Over the last few years, I’m sure we’ve all heard about this thing called Net Neutrality.  Right?  Only problem is that we didn’t have a clue what it was and how it affected us as users of the World Wide Web.

Let’s face it.  Who cares about the internet as long as it just works.  We get our videos, music and the Facebook on it and we’re good to go.

FCCMy main topic of conversation around this though, is how this so called Net Neutrality impacts my business and pleasure surrounding the way I present and interact with music online.

Low and behold, on Tuesday, January 13, 2014, an appeals court in Washington DC, ruled that the Federal Communications Commission’s “net neutrality” rule, is invalid.  This rule basically prevents big companies like Verizon from giving priority to certain types of internet traffic, over others.

This court ruling represents a massive “game changer” because it shifts the FCC’s current practice of requiring broadband internet providers to act as “common carriers”.  In other words, under the Net Neutrality ruling, these companies had to provide service in the same way as say, a phone company would.  This would prevent service providers from giving special preference to one type of service over another.

Having said that, I must now say that not too long ago, it seemed as though the internet could provide a bit more opportunity for commerce to musicians, indie record labels like my own, producers and writers.  However, in a post-net neutrality game, any chance of earning income in the new music economy would be in jeopardy.  Instead of earning money from sales of music and merchandise, the money would flow in the opposite direction. Not good!

It is possible that musicians and music services would be held hostage to ISPs if they wanted to continue to reach customers/fans, or, they would suffer the consequence of having their bandwidth degraded i.e. a reduction of sound quality.  This would have negative connotations for our fans, as well as, we the artists.

I hate to sound overly dramatic but this looks like trouble for the music ecosystem.

Can you offer up an opinion around this situation?

– JM